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The Resource Carlo-Maria Giulini conducts Mozart, de Falla and Verdi, Idéale Audience, IMG Artists, BBC ; Philippe Truffault, director, (electronic resource)

Carlo-Maria Giulini conducts Mozart, de Falla and Verdi, Idéale Audience, IMG Artists, BBC ; Philippe Truffault, director, (electronic resource)

Performer
Contributor
Summary
Majestic and Irresistible: "The Leopard" in action in Mozart, de Falla and Verdi. The death of Carlo Maria Giulini, at ninety-one years old in 2005, marked the end of the golden age of conducting: that of the great dominating and charismatic figures. Among these, Giulini was like a leopard, because of his aristocratic presence and his ties with Luchino Visconti, the director of The Leopard drawn from the novel of the same name by Lampedusa. They produced together Verdi's Don Carlos at Covent Garden in London. Before that, it was as a member of the Orchestra Augusteo of Rome that Giulini was trained on the viola and where he played under the direction of Wilhelm Furtwängler, Otto Klemperer and Bruno Walter. An anti-Fascist, he deserted the Czech front where he was sent, to hide in Rome where he joined the Resistance. In 1949, he became the assistant of Victor de Sabata at the Scala where he established himself as an incomparable opera conductor. But Giulini was also an incomparable symphonic orchestra conductor through his unique propensity to stretch out the tempo -- exaggeratedly so according to some people -- and confer a mystical dimension to the music. We meet him again in 1965 at the head of the New Philharmonia Orchestra, the Philharmonia Orchestra of today, in Mozart's Symphony No. 40, which he performs for us as if we were hearing it for the first time. This is the stamp of the truly great: they are able to revive even those scores played over and over again. He then sets the orchestra on fire in a vibrant, spirited Second Suite of de Falla's Three-Cornered Hat. Three years later, Giulini meets up with the New Philarmonia once again for the overture of Verdi's The Sicilian Vespers, the composer with whom he made his lyrical debut in 1948 and who marked his career. Before us, from the orchestra's initial murmur until the end, he builds a majestic theatre of sound. The Leopard in action
Work
Publication
Extent
1 online resource (1 video file (51 min., 25 sec.))
Contents
  • Symphony no. 40 in G minor, K. 550
  • Wolfgang Amadeus Mozart
  • El sombrero de tres picos, suite no. 2
  • Manuel de Falla
  • Sicilian vespers. Ouverture
  • Giuseppe Verdi
Link
Instance
Label
Carlo-Maria Giulini conducts Mozart, de Falla and Verdi
Title
Carlo-Maria Giulini conducts Mozart, de Falla and Verdi
Statement of responsibility
Idéale Audience, IMG Artists, BBC ; Philippe Truffault, director
Title variation
Mozart, de Falla and Verdi
Contributor
Conductor
Film director
Performer
Production company
Subject
Genre
Summary
Majestic and Irresistible: "The Leopard" in action in Mozart, de Falla and Verdi. The death of Carlo Maria Giulini, at ninety-one years old in 2005, marked the end of the golden age of conducting: that of the great dominating and charismatic figures. Among these, Giulini was like a leopard, because of his aristocratic presence and his ties with Luchino Visconti, the director of The Leopard drawn from the novel of the same name by Lampedusa. They produced together Verdi's Don Carlos at Covent Garden in London. Before that, it was as a member of the Orchestra Augusteo of Rome that Giulini was trained on the viola and where he played under the direction of Wilhelm Furtwängler, Otto Klemperer and Bruno Walter. An anti-Fascist, he deserted the Czech front where he was sent, to hide in Rome where he joined the Resistance. In 1949, he became the assistant of Victor de Sabata at the Scala where he established himself as an incomparable opera conductor. But Giulini was also an incomparable symphonic orchestra conductor through his unique propensity to stretch out the tempo -- exaggeratedly so according to some people -- and confer a mystical dimension to the music. We meet him again in 1965 at the head of the New Philharmonia Orchestra, the Philharmonia Orchestra of today, in Mozart's Symphony No. 40, which he performs for us as if we were hearing it for the first time. This is the stamp of the truly great: they are able to revive even those scores played over and over again. He then sets the orchestra on fire in a vibrant, spirited Second Suite of de Falla's Three-Cornered Hat. Three years later, Giulini meets up with the New Philarmonia once again for the overture of Verdi's The Sicilian Vespers, the composer with whom he made his lyrical debut in 1948 and who marked his career. Before us, from the orchestra's initial murmur until the end, he builds a majestic theatre of sound. The Leopard in action
Cataloging source
FRMTV
Characteristic
videorecording
Date of event
1965 & 1968
Other event information
Recorded
PerformerNote
New Philharmonia Orchestra ; Carlo Maria Giulini, conductor
http://library.link/vocab/relatedWorkOrContributorDate
  • 1756-1791
  • 1876-1946
  • 1813-1901
http://library.link/vocab/relatedWorkOrContributorName
  • Truffault, Philippe
  • Giulini, Carlo Maria
  • Mozart, Wolfgang Amadeus
  • Falla, Manuel de
  • Verdi, Giuseppe
  • Idéale Audience International
  • IMG Artists (Firm)
  • British Broadcasting Corporation
  • New Philharmonia Orchestra
Runtime
52
http://library.link/vocab/subjectName
  • Symphonies
  • Suites (Orchestra)
  • Overtures
  • Overtures
  • Suites (Orchestra)
  • Symphonies
Technique
live action
Label
Carlo-Maria Giulini conducts Mozart, de Falla and Verdi, Idéale Audience, IMG Artists, BBC ; Philippe Truffault, director, (electronic resource)
Link
Instantiates
Publication
Copyright
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Configuration of playback channels
stereophonic
Content category
two-dimensional moving image
Content type code
  • tdi
Content type MARC source
rdacontent
Contents
  • Symphony no. 40 in G minor, K. 550
  • Wolfgang Amadeus Mozart
  • El sombrero de tres picos, suite no. 2
  • Manuel de Falla
  • Sicilian vespers. Ouverture
  • Giuseppe Verdi
Control code
ocn956369465
Dimensions
unknown
Extent
1 online resource (1 video file (51 min., 25 sec.))
File format
unknown
Form of item
online
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Medium for sound
other
Other physical details
sound, color
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
sound
Sound on medium or separate
sound on medium
Specific material designation
  • other
  • remote
Stock number
20
System control number
  • (Sirsi) o956369465
  • (OCoLC)956369465
Video recording format
other
Label
Carlo-Maria Giulini conducts Mozart, de Falla and Verdi, Idéale Audience, IMG Artists, BBC ; Philippe Truffault, director, (electronic resource)
Link
Publication
Copyright
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Configuration of playback channels
stereophonic
Content category
two-dimensional moving image
Content type code
  • tdi
Content type MARC source
rdacontent
Contents
  • Symphony no. 40 in G minor, K. 550
  • Wolfgang Amadeus Mozart
  • El sombrero de tres picos, suite no. 2
  • Manuel de Falla
  • Sicilian vespers. Ouverture
  • Giuseppe Verdi
Control code
ocn956369465
Dimensions
unknown
Extent
1 online resource (1 video file (51 min., 25 sec.))
File format
unknown
Form of item
online
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Medium for sound
other
Other physical details
sound, color
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
sound
Sound on medium or separate
sound on medium
Specific material designation
  • other
  • remote
Stock number
20
System control number
  • (Sirsi) o956369465
  • (OCoLC)956369465
Video recording format
other

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