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The Resource Photographs, museums, collections : between art and information, edited by Elizabeth Edwards and Christopher Morton

Photographs, museums, collections : between art and information, edited by Elizabeth Edwards and Christopher Morton

Label
Photographs, museums, collections : between art and information
Title
Photographs, museums, collections
Title remainder
between art and information
Statement of responsibility
edited by Elizabeth Edwards and Christopher Morton
Contributor
Editor
Subject
Language
eng
Cataloging source
DLC
Dewey number
770.74
Illustrations
  • illustrations
  • plates
Index
index present
LC call number
TR6.A1
LC item number
P485 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1952-
http://library.link/vocab/relatedWorkOrContributorName
  • Edwards, Elizabeth
  • Morton, Christopher A.
http://library.link/vocab/subjectName
  • Photography museums
  • Photograph collections
Target audience
adult
Label
Photographs, museums, collections : between art and information, edited by Elizabeth Edwards and Christopher Morton
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Casey Riley (Boston University, USA)
  • 'An Invitation to Visit Windermere': moments of departure and return in the biography of the Bryan Heseltine Collection
  • Darren Newbury (University of Brighton, UK)
  • Private to public: the David MacGregor Maritime Photographic Collection
  • Eleni Papavasileiou (SS Great Britain Trust, UK)
  • pt. 3. Scientific Documents
  • Collecting portraiture, exhibiting race: Augustus Pitt-Rivers's photographs at the South Kensington Museum
  • Christopher Morton (Pitt Rivers Museum, Oxford, UK)
  • Collecting photographs, constructing disciplines: the rationality and rhetoric of photography at the Museum of Economic Botany
  • Caroline Cornish (Royal Holloway, UK)
  • pt. 1.
  • Photographs as scientific and social objects in the correspondence of Charles Darwin
  • Geoff Belknap (University of Leicester) and Sophie Defrance (University of Cambridge)
  • pt. 4. Shaped in History
  • Revolutionary photographs: the Museo de la Revolucion, Havana, Cuba
  • Kristine Juncker (De Montfort University, Leicester, UK)
  • Photography in Jersey under German Occupation: the 1940 'Order concerning open-air photography' and photography at the Societe Jersiaise Museum
  • Gareth Syvret (De Montfort University, Leicester, UK)
  • From them to us: changing meanings of photographs of Maori at Te Papa
  • Athol McCredie (Museum of New Zealand Te Papa Tongarewa)
  • pt. 5. Curatorial Practices
  • Introduction
  • Unwrapping the layers: translating photograph albums into an exhibition context
  • Ulrike Bessel (DASA Working World Exhibition in Dortmund, Germany)
  • To collect and preserve negatives: the Eli Lotar Collection at the Centre Georges Pompidou
  • Damarice Amao (Paris Sorbonne, France)
  • Looking for Bolton in the Worktown Archive
  • Caroline Edge (Bolton Museum/University, UK)
  • Between art and information: towards a collecting history of photographs
  • Elizabeth Edwards (De Montfort University, Leicester, UK) and Christopher Morton (Pitt Rivers Museum, Oxford, UK)
  • pt. 2. Becoming Collections
  • Multiple collections and fluid meanings: Alfred Maudslay's archaeological photographs at the British Museum
  • Duncan Shields (De Montfort University, Leicester, UK)
  • Self assembled: Isabella Stewart Gardner's Photographic Albums and the Development of her Museum, 1902-1924
Control code
ocn891610391
Dimensions
25 cm
Extent
xiv, 267 pages, 16 unnumbered pages of plates
Isbn
9781472533920
Lccn
2014043584
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
770.74 P566 ; XX-N ; [Z15BP012, #45, 2@34.95, LAP/DDG]
Other physical details
illustrations
System control number
(OCoLC)891610391
Label
Photographs, museums, collections : between art and information, edited by Elizabeth Edwards and Christopher Morton
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Casey Riley (Boston University, USA)
  • 'An Invitation to Visit Windermere': moments of departure and return in the biography of the Bryan Heseltine Collection
  • Darren Newbury (University of Brighton, UK)
  • Private to public: the David MacGregor Maritime Photographic Collection
  • Eleni Papavasileiou (SS Great Britain Trust, UK)
  • pt. 3. Scientific Documents
  • Collecting portraiture, exhibiting race: Augustus Pitt-Rivers's photographs at the South Kensington Museum
  • Christopher Morton (Pitt Rivers Museum, Oxford, UK)
  • Collecting photographs, constructing disciplines: the rationality and rhetoric of photography at the Museum of Economic Botany
  • Caroline Cornish (Royal Holloway, UK)
  • pt. 1.
  • Photographs as scientific and social objects in the correspondence of Charles Darwin
  • Geoff Belknap (University of Leicester) and Sophie Defrance (University of Cambridge)
  • pt. 4. Shaped in History
  • Revolutionary photographs: the Museo de la Revolucion, Havana, Cuba
  • Kristine Juncker (De Montfort University, Leicester, UK)
  • Photography in Jersey under German Occupation: the 1940 'Order concerning open-air photography' and photography at the Societe Jersiaise Museum
  • Gareth Syvret (De Montfort University, Leicester, UK)
  • From them to us: changing meanings of photographs of Maori at Te Papa
  • Athol McCredie (Museum of New Zealand Te Papa Tongarewa)
  • pt. 5. Curatorial Practices
  • Introduction
  • Unwrapping the layers: translating photograph albums into an exhibition context
  • Ulrike Bessel (DASA Working World Exhibition in Dortmund, Germany)
  • To collect and preserve negatives: the Eli Lotar Collection at the Centre Georges Pompidou
  • Damarice Amao (Paris Sorbonne, France)
  • Looking for Bolton in the Worktown Archive
  • Caroline Edge (Bolton Museum/University, UK)
  • Between art and information: towards a collecting history of photographs
  • Elizabeth Edwards (De Montfort University, Leicester, UK) and Christopher Morton (Pitt Rivers Museum, Oxford, UK)
  • pt. 2. Becoming Collections
  • Multiple collections and fluid meanings: Alfred Maudslay's archaeological photographs at the British Museum
  • Duncan Shields (De Montfort University, Leicester, UK)
  • Self assembled: Isabella Stewart Gardner's Photographic Albums and the Development of her Museum, 1902-1924
Control code
ocn891610391
Dimensions
25 cm
Extent
xiv, 267 pages, 16 unnumbered pages of plates
Isbn
9781472533920
Lccn
2014043584
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
770.74 P566 ; XX-N ; [Z15BP012, #45, 2@34.95, LAP/DDG]
Other physical details
illustrations
System control number
(OCoLC)891610391

Library Locations

    • Antioch BranchBorrow it
      6060 N. Chestnut Ave., Gladstone, MO, 64119 , US
      39.20389 -94.54657
    • Kearney BranchBorrow it
      100 S. Platte-Clay Way, Kearney, MO, 64060, US
      39.371212 -94.368181
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