The Resource Sculpture : materials, techniques, styles, and practice, edited by Cleo Kuhtz, (electronic resource)

Sculpture : materials, techniques, styles, and practice, edited by Cleo Kuhtz, (electronic resource)

Label
Sculpture : materials, techniques, styles, and practice
Title
Sculpture
Title remainder
materials, techniques, styles, and practice
Statement of responsibility
edited by Cleo Kuhtz
Contributor
Editor
Subject
Language
eng
Summary
In this book, readers examine the materials, tools, methods, styles, and practices that are involved in sculpting and many of the techniques that have been used by accomplished artists who have contributed to sculpture as a fine art
Member of
Cataloging source
MiFhGG
Dewey number
730.28
Illustrations
illustrations
Index
index present
LC call number
NB1143
LC item number
.S38 2017
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Kuhtz, Cleo
  • Gale Group
Series statement
  • Britannica's practical guide to the arts
  • Gale virtual reference library
http://library.link/vocab/subjectName
  • Sculpture
  • Artists' materials
Label
Sculpture : materials, techniques, styles, and practice, edited by Cleo Kuhtz, (electronic resource)
Link
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 9
  • Representational Sculpture
  • 105
  • Human Figure
  • 106
  • Devotional Images and Narrative Sculpture
  • 107
  • Portraiture
  • 109
  • Scenes of Everyday Life
  • 109
  • Foreshortening
  • Animals
  • 109
  • Fantasy
  • 110
  • Other Subjects
  • 111
  • Nonrepresentational Sculpture
  • 112
  • Decorative Sculpture
  • 113
  • 13
  • Symbolism
  • 114
  • Tympanum
  • 117
  • Chapter 5
  • Uses of Sculpture
  • 120
  • Decorations
  • 120
  • Architecture
  • Relationships to Other Arts
  • 120
  • Gardens and Parks
  • 121
  • Commemorations
  • 122
  • Jean-Antoine Houdon
  • 122
  • Coinage and Medals
  • 124
  • Glyptic Arts
  • 14
  • 125
  • Ceremonies and Rituals
  • 125
  • Chapter 6
  • History of Scripture
  • 126
  • Sculpture among Early Peoples
  • 126
  • Archaeological Site at Tula
  • 128
  • Chapter 2
  • Art of Egypt
  • 130
  • Mesopotamia and Its Art
  • 131
  • African Sculpture
  • 131
  • Asian Sculpture
  • 134
  • Glorious Sculpture of Greece
  • 137
  • Materials of Sculpture and Their Conservation and Repair
  • Praxiteles
  • 139
  • From The Romans to the Renaissance
  • 141
  • Christianity and Anew Art
  • 142
  • Tilman Riemenschneider
  • 143
  • Renaissance in Italy
  • 145
  • 17
  • Donatello of Florence
  • 147
  • Della Rob Bias
  • 148
  • Verrocchio, Pupil of Donatello
  • 148
  • Great Michelangelo
  • 149
  • Cellini and Da Bologna
  • 151
  • Primary
  • Baroque in Sculpture
  • 152
  • Sculpture in France
  • 153
  • Neoclassicism in Sculpture
  • 154
  • The 19th Century
  • 155
  • Sculpture in the United States
  • 156
  • 17
  • Daniel Chester French
  • 158
  • Modern Movement
  • 160
  • Figurative and Biomorphic Sculpture
  • 162
  • Constructive Tradition
  • 164
  • Objects and Assemblage
  • 166
  • Chapter 1
  • Marble
  • Postwar Sculpture
  • 167
  • Isamu Noguchi
  • 169
  • Christo and Jeanne-Claude
  • 174
  • 20
  • David Smith
  • 28
  • Terra-Cotta
  • 32
  • Plaster Of Paris
  • 38
  • Secondary
  • 39
  • Elements and Principles of Sculptural Design
  • Papier-Mâché
  • 41
  • Conservation and Restoration of Sculpture
  • 42
  • Stone Sculpture
  • 43
  • Metal Sculpture
  • 51
  • Wood Sculpture
  • 54
  • 1
  • Chapter 3
  • Methods and Techniques
  • 57
  • Repoussé
  • 58
  • Sculptor as Designer and as Craftsman
  • 58
  • General Methods
  • 61
  • Carving
  • Elements of Design
  • 63
  • Indirect Carving
  • 64
  • Carving Tools and Techniques
  • 65
  • A File
  • 67
  • Modeling
  • 69
  • An Armature
  • 1
  • 70
  • Modeling for Casting
  • 70
  • Modeling for Pottery Sculpture
  • 72
  • General Characteristics of Modeled Sculpture
  • 73
  • Constructing and Assembling
  • 73
  • Direct Metal Sculpture
  • Principles of Design
  • 75
  • Reproduction and Surface-Finishing Techniques
  • 76
  • Lost-Wax Process
  • 77
  • Casting and Molding
  • 78
  • Pointing
  • 81
  • Surface Finishing
  • 6
  • 82
  • About Gilding
  • 85
  • Anodizing
  • 88
  • Chapter 4
  • Forms, Subject Matter, Imagery, and Symbolism of Scripture
  • 89
  • Sculpture in the Round
  • 89
  • Contrapposto
  • Great Phidias and the Parthenon Sculptures
  • 92
  • Relief Sculpture
  • 95
  • Intaglio
  • 98
  • Modern Forms of Sculpture
  • 100
  • Environmental Sculpture
  • 103
Control code
GVRL9IRR
Dimensions
unknown
Edition
First edition.
Extent
1 online resource (xvi, 200 pages)
File format
unknown
Form of item
online
Isbn
9781680483659
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations (chiefly color).
Quality assurance targets
unknown
Reformatting quality
access
Specific material designation
remote
System control number
  • (Sirsi) GVRL9IRR
  • (OCoLC)954055367
Label
Sculpture : materials, techniques, styles, and practice, edited by Cleo Kuhtz, (electronic resource)
Link
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 9
  • Representational Sculpture
  • 105
  • Human Figure
  • 106
  • Devotional Images and Narrative Sculpture
  • 107
  • Portraiture
  • 109
  • Scenes of Everyday Life
  • 109
  • Foreshortening
  • Animals
  • 109
  • Fantasy
  • 110
  • Other Subjects
  • 111
  • Nonrepresentational Sculpture
  • 112
  • Decorative Sculpture
  • 113
  • 13
  • Symbolism
  • 114
  • Tympanum
  • 117
  • Chapter 5
  • Uses of Sculpture
  • 120
  • Decorations
  • 120
  • Architecture
  • Relationships to Other Arts
  • 120
  • Gardens and Parks
  • 121
  • Commemorations
  • 122
  • Jean-Antoine Houdon
  • 122
  • Coinage and Medals
  • 124
  • Glyptic Arts
  • 14
  • 125
  • Ceremonies and Rituals
  • 125
  • Chapter 6
  • History of Scripture
  • 126
  • Sculpture among Early Peoples
  • 126
  • Archaeological Site at Tula
  • 128
  • Chapter 2
  • Art of Egypt
  • 130
  • Mesopotamia and Its Art
  • 131
  • African Sculpture
  • 131
  • Asian Sculpture
  • 134
  • Glorious Sculpture of Greece
  • 137
  • Materials of Sculpture and Their Conservation and Repair
  • Praxiteles
  • 139
  • From The Romans to the Renaissance
  • 141
  • Christianity and Anew Art
  • 142
  • Tilman Riemenschneider
  • 143
  • Renaissance in Italy
  • 145
  • 17
  • Donatello of Florence
  • 147
  • Della Rob Bias
  • 148
  • Verrocchio, Pupil of Donatello
  • 148
  • Great Michelangelo
  • 149
  • Cellini and Da Bologna
  • 151
  • Primary
  • Baroque in Sculpture
  • 152
  • Sculpture in France
  • 153
  • Neoclassicism in Sculpture
  • 154
  • The 19th Century
  • 155
  • Sculpture in the United States
  • 156
  • 17
  • Daniel Chester French
  • 158
  • Modern Movement
  • 160
  • Figurative and Biomorphic Sculpture
  • 162
  • Constructive Tradition
  • 164
  • Objects and Assemblage
  • 166
  • Chapter 1
  • Marble
  • Postwar Sculpture
  • 167
  • Isamu Noguchi
  • 169
  • Christo and Jeanne-Claude
  • 174
  • 20
  • David Smith
  • 28
  • Terra-Cotta
  • 32
  • Plaster Of Paris
  • 38
  • Secondary
  • 39
  • Elements and Principles of Sculptural Design
  • Papier-Mâché
  • 41
  • Conservation and Restoration of Sculpture
  • 42
  • Stone Sculpture
  • 43
  • Metal Sculpture
  • 51
  • Wood Sculpture
  • 54
  • 1
  • Chapter 3
  • Methods and Techniques
  • 57
  • Repoussé
  • 58
  • Sculptor as Designer and as Craftsman
  • 58
  • General Methods
  • 61
  • Carving
  • Elements of Design
  • 63
  • Indirect Carving
  • 64
  • Carving Tools and Techniques
  • 65
  • A File
  • 67
  • Modeling
  • 69
  • An Armature
  • 1
  • 70
  • Modeling for Casting
  • 70
  • Modeling for Pottery Sculpture
  • 72
  • General Characteristics of Modeled Sculpture
  • 73
  • Constructing and Assembling
  • 73
  • Direct Metal Sculpture
  • Principles of Design
  • 75
  • Reproduction and Surface-Finishing Techniques
  • 76
  • Lost-Wax Process
  • 77
  • Casting and Molding
  • 78
  • Pointing
  • 81
  • Surface Finishing
  • 6
  • 82
  • About Gilding
  • 85
  • Anodizing
  • 88
  • Chapter 4
  • Forms, Subject Matter, Imagery, and Symbolism of Scripture
  • 89
  • Sculpture in the Round
  • 89
  • Contrapposto
  • Great Phidias and the Parthenon Sculptures
  • 92
  • Relief Sculpture
  • 95
  • Intaglio
  • 98
  • Modern Forms of Sculpture
  • 100
  • Environmental Sculpture
  • 103
Control code
GVRL9IRR
Dimensions
unknown
Edition
First edition.
Extent
1 online resource (xvi, 200 pages)
File format
unknown
Form of item
online
Isbn
9781680483659
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations (chiefly color).
Quality assurance targets
unknown
Reformatting quality
access
Specific material designation
remote
System control number
  • (Sirsi) GVRL9IRR
  • (OCoLC)954055367

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